| Home -> John J. Newbegin -> The City of Domes -> Index | |||
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| Index: | |||
| "Abundance," by Jaegers | 1 |
| "Abundance," by Harley | 2, 3 |
| Acanthus design, origin of | 4 |
| Adams, Herbert | 5, 6, 7, 8 |
| Administration Avenue | 9, 10 |
| "Adventurous Bowman" | 11, 12, 13, 14, 15 |
| "Age Transferring His Burden to Youth" | 16 |
| Aitken, Robert | 17, 18, 19, 20, 21, 22, 23, 24 |
| Andrassy, Julius | 25 |
| "Angel of Peace" | 26 |
| "Application of Power to Machinery" | 27 |
| Arch of Rising Sun | 28, 29, 30, 31 |
| Arch of Setting Sun | 32, 33, 34, 35 |
| Arch of Tower of Jewels | 36, 37 |
| Architects of Exposition | 38 |
| Architecture of the Exposition | 39, 40 |
| "Architecture of Marcus Vitruvius Pollis" | 41 |
| Architecture, origin of | 42 |
| "Aspiration" | 43, 44 |
| Avenue of Palms | 45, 46, 47 |
| Avenue of Progress | 48, 49, 50, 51 |
| "Bacchus" | 52, 53 |
| Bacon, Henry | 54, 55, 56, 57 |
| Baker, Asher C. | 57 |
| Bakewell & Brown | 58, 59 |
| Balboa, Vasco Nunez de | 60, 61, 62, 63 |
| Bancroft, Milton | 64, 65 |
| Banners | 66 |
| Barnhorn, Clement J. | 67 |
| Bartlett, Paul | 68, 69, 70, 71 |
| Bastides, Rodrigo de | 72 |
| Bateman, John | 73, 74 |
| Baths of Caracalla, adaptation of | 75, 76 |
| Beach, Chester | 77, 78, 79, 80 |
| "Bear" Fountains | 81 |
| Bennett, E. H. | 82 |
| Berge, Edward | 83, 84 |
| Bernini | 85 |
| Bresard, Albert | 86 |
| "Birth of European Art" | 87, 88 |
| "Birth of Oriental Art" | 89, 90 |
| Bitter, Karl | 91, 92 |
| Bliss & Flaville | 93, 94 |
| Boecklin | 95, 96, 97, 98 |
| Borglum, Solon | 99, 100 |
| Bourne, W. B. | 101 |
| Boutier, E. L. | 102 |
| Boyle, John J. | 103 |
| Brangwyn, Frank | 104, 105, 106, 107 |
| Brown, Arthur | 108 |
| Brunelleschi, artitect | 109 |
| Bufano, B. | 110 |
| Bullshead, use of, in Exposition | 111, 112, 113, 114, 115, 116 |
| Burroughs, Edith Woodman | 117, 118, 119, 120 |
| "Burden Bearers, The" | 121 |
| Cabrillo, Juan Rodriguez | 122 |
| Calder, A.Stirling | 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135 |
| California Building | 136, 137 |
| "California Bear" | 138 |
| Calixtus, III, Pope | 139 |
| Callimachus, originator of acanthus design | 140 |
| Canephori | 141, 142 |
| Carrere & Hastings | 143, 144 |
| Carroll, B. H. | 145 |
| Catholic church, monstrance of, used | 146, 147 |
| Cauldrons | 148, 149 |
| Centennial Exposition, plan of | 150 |
| "Ceres" | 151, 152, 153 |
| Cervantes | 154 |
| Champney, E. F. | 155 |
| Chicago Exposition, plan of | 156 |
| China, participation in Exposition | 157, 158 |
| "Cleopatra's Needle" | 159, 160, 161, 162, 163 |
| Columbus, Tower of, planned | 164 |
| Columns of Progress | 165, 166, 167, 168, 169, 170, 171 |
| Columns, kinds used | 172, 173, 174 |
| Confucius | 175 |
| Congressional Committee, decision of | 176 |
| Connick, C. T. | 177, 178, 179 |
| Connick, H. D. | 180, 181, 182 |
| "Conquistador" | 183, 184 |
| Corbett, G. S. | 185, 186 |
| Cortez, equestrian statue of | 187, 188 |
| Court of Abundance | 189 |
| Court of the Ages | 190, 191, 192, 193, 194, 195, 196 |
| Court of Flowers | 197, 198, 199 |
| Court of the Four Seasons | 200, 201, 202, 203, 204, 205 |
| Court of Honor | 206 |
| Court of Mines | 207, 208, 209 |
| Court of Palms | 210, 211, 212, 213, 214 |
| Court of Sun and Stars | 215, 216 |
| Court of the Universe | 217, 218, 219, 220, 221 |
| Crocker, W. H. | 222 |
| Cummings, Earl | 223, 224 |
| Curlett, Williams | 225 |
| "Dancing Girls" and "Music" | 226, 227 |
| Dante | 228 |
| Dallin, Cyrus E. | 229 |
| De Egas, Spanish architect | 230 |
| Denneville, P. E. | 231, 232, 233, 234 |
| Dickerson, A. F. | 235 |
| Dietsch, C. P. | 236 |
| Dodge, W. DeL, | 237, 238 |
| Dome, origin of | 239 |
| Dome of Philosphy | 240, 241, 242 |
| Dome of Plenty | 243, 244, 245 |
| Donatello | 246, 247 |
| Donnelly & Ricci | 248, 249 |
| Du Mond, F. V. | 250, 251 |
| Duomo, anecdote relating to | 252 |
| Eagles, use of in Exposition | 253, 254, 255, 256 |
| "Education" | 257 |
| Egyptian art, influence of | 258 |
| "Elements" | 259, 260 |
| "Electricity" | 261 |
| Elephants, use of in Exposition | 262, 263, 264, 265 |
| Ellerhusen, Ulric H. | 266 |
| "End of the Trail" | 267, 268 |
| England, indifference of, toward Exposition | 269 |
| Europe, attitude of, toward Exposition | 270, 271 |
| Expenditures | 272, 273, 274, 275 |
| Farquhar, Robert | 276, 277, 278 |
| "Fairy, The" | 279 |
| "Fame" and "Valor" | 280, 281 |
| Faville, W. B. | 282, 283, 284, 285, 286, 287, 288, 289, 290, 291, 292, 293, 294, 295 |
| "Feast of the Sacrifice" | 296, 297 |
| Festival hall | 298, 299, 300, 301, 302 |
| Fillmore Street entrance | 303, 304 |
| Firdausi | 305 |
| Flanagan, John | 306 |
| "Flora" | 307, 308 |
| Florentine Court | 309 |
| Flower Boxes | 310 |
| "Flower Girl" | 311, 312 |
| Fountain of Beauty and the Beast | 312, 313 |
| Fountain of Ceres | 314, 315, 316 |
| Fountain of Earth | 317, 318, 319, 320 |
| Fountain of El Dorado | 321, 321, 322 |
| Fountain of Energy | 323, 324, 325, 326, 327, 328 |
| Fountain of the Mermaid | 328, 329, 330 |
| Fountain of the Rising Sun | 331, 332, 333 |
| Fountain of the Setting Sun | 334, 335, 336 |
| Fountain of Youth | 337, 338, 339, 340 |
| Fountains of the Seasons | 341, 342, 343 |
| France, attitude of, regarding Exposition | 344 |
| Fraser, J. E. | 345, 346, 347 |
| French, D. C. | 348, 349, 350 |
| Frishmuth, Harriet W. | 351 |
| "Fruits and Flowers" | 352, 353 |
| Fry, Sherry E. | 354, 355, 356, 357, 358 |
| Gallen-Kallela, Axel | 359 |
| Garnett, Porter | 360, 361, 362, 363, 364 |
| Gerlach, Gustave | 365 |
| Germany, indifference of, toward Exposition | 366, 367 |
| Gerome | 368, 369, 370 |
| Goethe | 371 |
| Golden Gate Park, objections to as Exposition site | 372 |
| "Golds of California" | 373 |
| Gosling, J. W. | 374 |
| Grafly, Charles | 375, 376 |
| Gruppe, Carl | 377, 78 |
| Guerin, Jules | 379, 380, 381, 382, 383, 384, 385, 386, 387, 388, 389, 390, 391, 392, 393, 394, 395, 396, 397 |
| Guilllaume, Henri | 398 |
| Gwilt, Joseph | 399 |
| Hadrian's Villa | 400 |
| Hale, R. B. | 401 |
| Half Courts | 402 |
| Harbor View, advantages of for Exposition site | 403 |
| Harley, Charles | 404, 405 |
| "Harvest" | 406,407 |
| Hassam, Childe | 408, 409 |
| Hastings, Thomas | 410, 411, 412, 413, 414 |
| Heber, C. A, | 415 |
| "Helios" | 416 |
| Herrick, Myron T. | 417 |
| Hitomaro | 418 |
| Holloway, Charles | 419, 420 |
| Holm, V. S. | 421, 422 |
| Howard, John Galen | 423 |
| Hungary, exhibit secured from | 424, 425 |
| Hyatt, Anna V. | 426 |
| "Ideals in Art" | 427, 428, 429 |
| Illumination | 430, 431, 432 |
| "Imagination" | 433 |
| Inscriptions | 434, 435, 436 |
| "Inspirations of Art" | 437, 438 |
| "Invention" | 439 |
| Italian Towers | 440, 441, 442, 443, 444, 445, 446, 447, 448 |
| Italy, attitude of, toward Exposition | 449, 450 |
| Jaegers, Albert | 451, 452, 453 |
| Jaegers, August | 454, 455 |
| "Jason" U. S. Collier | 456, 457, 458, 459 |
| Japan, participation in Exposition | 460, 461 |
| Japanese art, superiority of | 462 |
| Kakosha | 463 |
| Kalidasa | 464 |
| Kelham, G. W. | 465, 466, 467, 468, 469, 470, 471, 472 |
| Konti, Isidore | 473, 474, 475, 476, 477, 478 |
| Ladd, Anna C. | 479, 480 |
| Laessle, Albert | 481, 482 |
| Lafayette, equestrian statue of | 483, 484 |
| Lake Merced, objections to assite for Exposition | 485 |
| Laurvik, J. N. | 486, 487 |
| Lentilli, Leo | 488, 489, 490, 491, 492, 493, 494 |
| "Little Pan" | 495, 496 |
| Longman, Evelyn B. | 497, 498, 499, 500, 501 |
| Lysicrates, Choragic monument | 502 |
| McKim, Mead & White | 503, 504, 505, 506, 507, 508 |
| McLaren, John | 509, 510, 511, 512, 513, 514, 515, 516, 517, 518, 519, 520, 521, 522, 523, 524, 525, 526 |
| MacNeil, Hermon A. | 527, 528, 529, 530, 531 |
| Manship, Paul | 532, 533 |
| Marina | 534, 535, 536, 537, 538, 539, 540 |
| Marina, view from | 541, 542 |
| Marinetti | 543 |
| Mathews, A. F. | 544, 545, 546 |
| Maybeck, Bernard R. | 547, 548, 549, 550 |
| Medallions | 551, 552 |
| Merchant, W. G. | 553 |
| "Mermaid, The" | 554, 555, 556 |
| Miller, Joaquin | 557, 558 |
| "Miner, The" | 559 |
| "Minerva" | 560 |
| Monstrances | 561, 562, 563, 564 |
| Moore, C. C. | 565, 566, 567 |
| Moraga, Jose Joaquin | 568 |
| Muller, Olga P. | 569, 570 |
| Mullgardt, L. C. | 571, 572, 573, 574, 575, 576, 577 |
| Murals | 578, 579, 580, 581, 582, 583, 584, 585, 586, 578, 579, 580, 581, 582, 582, 583, 584, 585, 586, 587 |
| "Music" and "Dancing Girls" | 588, 589 |
| "Nations of theEast" | 590, 591, 592 |
| "Nations of the West" | 593, 594, 595 |
| Neptune's Daughter | 596, 597 |
| New Orleans, chief competitor for Exposition | 598 |
| Newman, Allen | 599, 600 |
| Newman and Evans | 601 |
| Niehaus, Charles | 602, 603 |
| Nieto, Dr. Jacob | 604 |
| Niche of Ceres | 605 |
| Noquet, Paul | 606 |
| Nudity, use of in sculpture | 607, 608 |
| "Old World Handing Its Burden to the Younger World" | 609 |
| Oriental art, influence of | 610 |
| "Oriental Flower Girl" | 611, 612 |
| Oriental Group | 613 |
| Oriental symbolism, useof | 614 |
| Page, Thomas Nelson | 615 |
| Paine, Robert | 616, 617 |
| Palace of Agriculture | 618, 619, 620 |
| Palace of Education | 621, 622, 623, 624, 625 |
| Palace of Fine Arts | 626, 627, 628, 629 |
| Palace of Food Products | 630, 631 |
| Palace of Horticulture | 632, 633, 634, 635, 636, 637, 638 |
| Palace of Liberal Arts | 639, 640, 641, 642, 643, 644 |
| Palace of Liberal Arts, central doorway of | 645 |
| Palace of Machinery | 646, 647, 648 |
| Palace of Manufactures | 649, 650, 651, 652, 653 |
| Palace of Mines | 654 |
| Palace of Transportation | 655, 656 |
| Palace of Varied Industries | 657, 658, 659, 660, 661, 662 |
| Panama Pacific Exposition | |
| 663 | |
| 664 | |
| 665, 666 | |
| 667, 668 | |
| 669, 670, 671 | |
| 672 | |
| 673 | |
| 674 | |
| 675 | |
| 676 | |
| 677 | |
| 678 | |
| 679, 680, 681, 682 | |
| 683 | |
| 684, 685, 686, 687 | |
| 688 | |
| 689, 690 | |
| 691 | |
| 692, 693 | |
| 694 | |
| 695 | |
| 696, 697 | |
| 698 | |
| 699 | |
| Parsons, Edith B. | 700 |
| Pascal | 701 |
| Patigian, Haig | 702, 703, 704, 705 |
| "Pegasus" | 706 |
| Perrault | 707 |
| Perry, R. H. | 708 |
| Peters, W. H. | 709 |
| Phra Ruang | 710 |
| "Physical Vigor" | 711 |
| Piccirilli, Attilio | 712, 713, 714 |
| Piccirilli, Furio | 715, 716, 717, 718 |
| Pietro, C. S. | 719 |
| "Pink Alley" | 720, 721 |
| "Pioneer, The" | 722, 723 |
| "Pioneers" murals | 724, 725 |
| Pissis, Albert | 726 |
| "Pirate, The" | 727, 728 |
| Pizarro, equestrian statue of | 729, 730 |
| Polasek, Albin | 731 |
| Polk, Willis | 732, 733 |
| Pratt, Bela L. | 734 |
| "Priestess of Culture" | 735, 736 |
| "Primitive Man and Woman" | 737 |
| Proctor, A. P. | 738 |
| "Pursuit of Pleasure" | 739, 740 |
| Putnam, Arthur | 741, 742 |
| Quotations on arches and gateways | 743, 744, 745, 746 |
| Quinn, E.T. | 747 |
| "Rain" | 748, 749 |
| Rankin, J. J. | 750 |
| Reechia, Richard H. | 751, 752 |
| Recital Hall | 753, 754 |
| "Reclining Woman" | 755, 756 |
| Reid, Robert | 757, 758, 759 |
| Richardson, Symmes | 760, 761 |
| "Rise of Civilization" | 762 |
| Risque, Caroline | 763 |
| Roberts, David | 764 |
| Rodin, A | 765, 766 |
| Rodin, A., influence on Manship | 767 |
| Roth, F. G. R. | 768, 769, 770, 771, 772 |
| Rumsey, C. C. | 773, 774 |
| Ryan, W. D'A. | 775, 776, 777, 778, 779, 780, 781, 782, 783, 784, 785, 786, 787, 788 |
| Saint Gaudens, Augustus | 789, 790 |
| Saint Gaudens, Louis | 791 |
| Salvatore, V. D. | 792 |
| Scott Street Entrance | 793, 794 |
| Scudder, Janet | 795, 796 |
| Sculptors | 797, 798, 799 |
| Sculpture | 800 |
| Searchlights, number of | 801 |
| Serpent, symbolism of | 802, 803 |
| "Setting Sun" | 804 |
| Shakespeare | 805 |
| "Signs of the Zodiac" | 806, 807, 808 |
| Simmons, Edward | 809, 810 |
| "Source of Genius" | 811 |
| South Gardens | 812, 813, 814, 815 |
| South Wall | 816, 817, 818 |
| Southern Pacific Railroad Company, subscriotion | 819 |
| Spenser | 820 |
| "Spirit of Intelligence" | 821, 822 |
| "Spirit of the Waters" | 823 |
| "Spring" | 824, 825 |
| Stackpole, Ralph | 826, 827, 828, 829, 830, 831 |
| Star-figure | 832, 833, 834 |
| Stea, Cesar | 835 |
| "Steam Power" | 836 |
| Sterling, George | 837 |
| Stirling, L. M. | 838 |
| "Summer" | 839, 840 |
| "Sunshine" | 841, 842 |
| Taft, Lorado | 843 |
| Tait, Robert | 844 |
| "Thinker, The" | 845, 846 |
| "Thought" | 847 |
| Tirman, Albert | 848, 849 |
| "Toilers, The" | "Burden Bearers" |
| Tonetti, F. M. L | 850, 851 |
| "Torch Bearer, The" | 852 |
| Tower of Jewels | 853, 854, 855, 856, 857, 858, 859, 860, 861, 862, 863, 864, 865, 866 |
| Trask, J. E. D. | 867, 868 |
| "Travels in the holy Land" | 869 |
| Travertine | 870, 871, 872 |
| Tritons | 873, 874 |
| "Triumph of the Fields" | 875, 876 |
| Ulrich, Loius | 877, 878 |
| Union Pacific Railroad Company, subscipture | 879 |
| "Valor" and "Fame" | 880, 891 |
| Venetian Court | 892, 893 |
| "Victorious Spirit" | 894, 895 |
| "Victory" | 896, 897, 898 |
| Vitruvius, architecture | 899 |
| Walter, Edgar | 900, 901 |
| War, effects of, on Exposition | 902, 903, 904 |
| Ward, Clarence | 905, 906, 907 |
| Ward, J. Q. A. | 908 |
| Ward & Blohme | 909 |
| Warner, O. L. | 910 |
| "Water Sprites" | 911 |
| Weinman, A. A. | 912, 913, 914, 915 |
| Western Wall | 916, 917 |
| Whitman, Walt | 918 |
| Whitney, Gertrude V. | 919, 920 |
| Weinert, Albert | 921, 921, 922, 923, 924 |
| "Wounded Lion" | 925 |
| "Winged Victory of Samothrace" | 926, 927 |
| Young, Mahonri | 928, 929 |
| "Youth" | 930, 931 |
| Y. W. C. A. Building | 932 |
| Zimm, B. L. | 932, 933, 934 |
| Zone | 935, 936, 937 |
| Zuhayr | 938 |
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