| Home -> Paul Elder - > The Sculpture and Mural Decorations of the Exposition - The End of the Trail | |||
 |
 |
 |
 |
|
The End of the Trail
Avenue of Palms |
|||
 |
|||
|
|
|||
| Still further back into the historical records of American stamina goes The End of the Trail by James Earle Fraser. No single work of art at the Exposition has attracted more popular applause than this. It has a gripping, manly pathos that makes a direct appeal. The physical vigor of the rider, over-tried but sound, saves it from mere sentiment. An Indian brave, utterly exhausted, his strong endurance worn through by the long, hard ride, storm-spent, bowed in the abandon of helpless exhaustion, upon a horse as weary as he, has come to the end of the trail, beyond which there is no clear path. It is easy to apply the message of this statue to the tragedy of the American Indian's decline upon the continent he once possessed. The sculptor acknowledges as his text these words of Marian Manville Pope: The trail is lost, the path is hid and winds that blow from out the ages sweep me on to that chill borderland where Time's spent sands engulf lost peoples and lost trails. | |||
|
|
|
|